Press reviews: SONGS FROM THE TREEHOUSE by MARTHA

Martha and the Muffins?
Well, Martha Johnson is back with some great kids'stuff.

by Deanne Fisher City Parent Dec. 1995
Remember Echo Beach, a Juno-winning pop song from 1980 by Martha and the Muffins? How about Black Stations/White Stations by M+M, which went to number two on the Billboard chart in 1984? Well, Martha - and one of the M's in M+M - was Martha Johnson, a Toronto songwriter and singer who is now recording her own children's songs. Whether you remember her earlier work is probably irrelevant but it has a certain nostalgic appeal for some of us. She is on to bigger and better things, writing some wonderful songs like It Was an Accident and Don't Give Me Those Beans while raising her three-year-old daughter. You can tell Martha is well-acquaint, with the sensibilities of toddlerhood; she writes about things young children love - trees, the wind, shooting stars, home. There are nice messages embedded in many of the lyrics - be nice to others, be loyal to your friends, and be yourself. The music is pure pop of the most listenable kind, with some interesting sound effects to intrigue little people. And you can still catch a little of that Martha and the Muffms sound here and there.

From Today's Parent June/July -- review by John Hoffman

What happens to pop stars when they have kids? Some, like Martha Johnson, try their hand at children's music. Many have taken this shot, and most miss the mark- Not Johnson. She and partner (family as well as musical) Mark Gane were collaborators in Martha and the Muffins (subsequently known as M+M), a Canadian group that enjoyed some international success in the '80s. Songs from the Treehouse, her first album for children, is pretty much what you might expect from the folks who brought us Echo Beach. The music is simple and melodic with a clean, modern sound that, fortunately, resists the temptation to overindulge in technology, even though it's synth-based. One highlight is My Little Sister, a catchy little a cappella tune about learning to talk, made all the more appealing by the recorded babblings of Johnson's daughter Eve. Overall, it's a fresh new sound in children's music, and that's quite an accomplishment these days in a genre where few stones have been left unturned.

(A couple more in the OCR pipeline...)


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